Given the current COVID-19 rampage, and my rather melancholic, long-time predisposition to be an epidemic junkie, this essay, which first appeared on Charli Mill’s blog, The Carrot Ranch, will draw on two thrillers from 1950: Elia Kazan’s, Panic in the Streets, and The Killer That Stalked New York, a more obscure film, by director Earl McEvoy. When […]
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